I should start out by admitting that, although I really like some of his work, Andrew Wyeth is not one of my favorites. Partly it’s because I find much of his work cold, not in the sense of his frequent depiction of winter scenes, which I like, but in the lack of warmth that I feel from him for his subjects. Mostly, though, it’s because his family heritage invites unfair and unflattering comparisons with his father, Newell Convers Wyeth, who left some mighty large footsteps to fill. (N.C. Wyeth is my favorite illustrator and one of my favorite artists in any genre. More on N.C. in a later post.)
That being said, I still do enjoy the work of the “middle Wyeth” (his son Jamie is also a noted painter), particularly when his unusual compositions and strange silent spaces creep toward the surreal, as in “Christina’s World” and “Distant Thunder”. I like some of his drawings and watercolors very much, particularly those that are direct observations of trees, fields and other landscape elements.
I’m less fond of his figurative work, like the famous “Helga” drawings. I stumbled across that exhibition by accident at the National Gallery back in the late 80’s when it was getting a lot of press (largely because of talk of an affair between Wyeth and the model). I wasn’t paying much attention, and was at the NGA for an exhibit of Italian Master Drawings, and chanced on the “Helga” gallery. Coming on the drawings unexpectedly may have given me an unusual prespective. I came away feeling that, if I hadn’t known the famous name they were associated with, I might have thought them the work of a promising but unexceptional art student.
Wyeth’s landscape drawings are another matter. They carry with them the feeling of the artist quietly and single-mindedly taking in his subject, and letting nature flow through his eye almost directly to the paper, without interference from an imposed “style” or other mental baggage. This is the Andrew Wyeth that I can connect with. His landscape drawings also carry with them the familiar look (to me, at least) of the Brandywine valley and its gently rolling hills.
This is certainly Andrew Wyeth time here in the Brandywine Valley/Philadelphia area. No fewer than thee (count em’, three) exhibitions of his work are opening here in the next two weeks.
The Philadelphia Museum of Art opens Andrew Wyeth: Myth Memory and Magic on March 29th. It’s a large scale show that runs to July 16, 2006.
The PMA exhibition is being held simultaneously with an exhibit of Wyeth’s drawings at the Brandywine River Museum, Andrew Wyeth: Master Drawings from the Artist’s Collection, that opens today and also ends on July 16.
The Brandywine museum is in the middle of Wyeth country in Chadds Ford, PA. just a ways downstream from Kuerner’s Farm where Andrew has worked, alternating with a house in Maine in the summer, for most of his life. By all accounts he still works there almost every day, even at the age of 88.
Not to be left out, the other bastion of Wyethism in the area, The Delaware Art Museum, has mounted an exhibit of his early works, “Something Waits Beneath It” – Early Work by Andrew Wyeth, 1939- 1969 , which runs from March 29 to July 16, same as the PMA.
None of the museums have posted much of Wyeth’s art on their sites and there isn’t any single great repository of his work on the web that I know of, so I’ll give you a list of smaller resources:
- The official Andrew Wyeth site is written and maintained by the artist’s wife, Betsy James Wyeth. Unfortunately, there are not many images on the site.
- You’ll find more AW works on the awyeth.com site of Frank Fowler, his art rep.
- AW at The National Gallery – 4 images
- AW at Art Renewal Center – 4 images
- “Winter” at the Athenaeum – 1 image
- AW at CGFA (ad warning) – 5 images
- AW at The Artchive (popup ad warning) – 6 images
I also don’t know of any books specifically of Andrew’s drawings, other than the catalog published by the Brandywine Museum to accompany the current exhibit. I can recommend an excellent book, however, that gives an overview of the three Wyeths, N.C., Andrew and Jamie, with lots of great images by all three: An American Vision: Three Generations of Wyeth Art: N.C. Wyeth, Andrew Wyeth, James Wyeth by James H. Duff.
Of the three exhibits, the drawings are (if you’ll excuse the expression) the main draw for me, so I’ll be visiting the Brandywine Museum first, and take in the others later. The Brandywine has some additional plusses. There is an exhibit of Dorothy Lathrop’s illustrations opening at the same time, and the truely great Wyeths (sorry, I’m showing my bias again), N.C. Wyeth’s astonishingly powerful illustrations, are almost always on view.
Charley’s Brandywine Valley Art Expedition Travel Tips:
If you visit the Brandywine River Museum, you may want to stop for lunch at Hank’s Place, the local lunch counter and meeting place, just north of the Museum on the corner of Rts 1 and 100. You might also want to drop by the nearby Chadds Ford Winery, and taste some of their Spring Wine.
If it’s past March 29 and the other exhibitions are open, you can meander down winding Rt 100 through the beautiful Brandywine Valley, (without knowing it, you’ll pass near Jamie Wyeth’s estate), and into Wilmington for a visit to the Delaware Art Museum, another jewel of a small museum, to take in their Wyeth show.
If you stay at the DAM till dinner time, drive from the museum toward downtown Wilmington on Delaware Avenue, and you’ll find good restaurants in the nearby Trolley Square area at DuPont St.: Toscana for upscale Italian, The Del Rose Cafe (1707 Delaware Ave.) for neighborhood style pasta, and Kelly’s for pub grub. To meet up with 95, Continue on into Wilmington’s center on Delaware or Pennsylvania Avenue (without knowing it, you’ll pass near Howard Pyle’s studio).
If you’re really a glutton for Wyeth, and start early, you can take in all three shows in one day. The Philadelphia Museum of Art (a world-class art museum worthy of extended visits) is only about 45 minutes away from Wilmington up 95. If you can go on a day with nice weather, all three museums are in beautiful settings.
Wyeth? Wyeth not?
you have the wrong link for the Andrew Wyeth web site listed above, the real site is http://www.andrewwyeth.com
I have a print of Andrew Wyeth’s “The Corner”, ” dry brush, 2l l/1 x l3 l/2″, 1953. Collection of Mr. and Mrs. W.E. Phelps”. Can anyone tell me if “the corner of Rt. 1 and 100″, mentioned in “Charley’s Brandywine Valley Travel Tips”, is the source or inspiration for this watercolor?
If this is the print you mean, the answer is no.
I believe it was painted nearby at this location (Google map). On this map, Route 100 is labeled “Creek Road”.
Here is some information on the location where “The Corner” was painted.
You can arrange to tour Kuerner’s farm, which was the subject of many of Andrew Wyeth’s best known works, through the Brandywine River Museum.
Thanks, Ian. You’re right, that link is to his artist’s rep. I’ve added the one maintained by his wife.
Dear Emily:
I also have a print of “The Corner” from the W.E. Phelps collection 1953. I am wondering if there were more than one or if I ended up with yours, just curious. Is it worth anything? I would love to hear from you. Thanks!
Rebecca Dueger
I have a dry brush 21(1/2)x13 1/2″, 1958,collection of Mrs. Andrew Wyeth called Brinton’s Hill and one of Mr./Mrs W.E. Philips called New Leaves (ink and Brush, 39 1/2 x 30″, 1941. Does anyone have any information on these before I decide what to do with them, I have no idea where they come from. Thanks. th
Hello Emily and Rebecca,
I recently purchased the same print of “The Corner” at a Goodwill store in my Seattle neighborhood. On the back of the frame is an old sticker which reads: Turner Wall Accessory”. I do know that a print of The Corner, also on watercolor paper, is available from a site called Ruby Lane for $150. Here is the website: http://www.rubylane.com/shops/ctyankeeantiques/item/16-0113
It says on the site that the print was first made in the early 1960’s, which would be consistent with the sticker on the back of the frame. I am curious to know more – it is a beautiful print and looks almost original. Thanks.
Andie Baker
I have some southwest prints signed by Southwest artist Peter Hurd whom was married to Henreitta Wyeth.Can you tell me if she was related to Andrew Wyeth?I also have a folder named Four Seasons by Andrew Wyeth and it has 12 reproductions of different artists from different years going back to 1953.What can you tell me about it.Thank you.
Henreitta was one of Andrew Wyeth’s sisters. I’m not familiar with the reproductions you mention.
My Aunt passed away recently and I have also found a framed picture of the “The Corner” from the W.E. Phelps collection. I do not know if it is on Water Color Paper because I don’t know what that is. Does anyone know how you find out if it has any value or find buyers for art work like this. I know nothing about it at all. Thanks for your ideas
I also have a print? of the New Leaves ink and brush. It is a very fine print in a nice old frame which also says ‘from the collection of Mr. and Mrs. W.E. Phelps’. I can’t find anything about the Phelps’ collection nor any pictures of , or the whereabouts of the original. It is clearly the same tree as the one in the Pennsylvania Scene. Any info would be appreciated.
I have an unsigned, Northern Point, that was framed by Turner Wall Accessory. You will find it listed for sale on Denver, craigslist. Will go to eBay if not sold.
Can I buy a print of “The Carry” & where?
I too have been looking EVERYWHERE for a print of “The Carry” …and have yet to find one =(
Hello. I have a Andrew Wyeth print of “Burning Off”. On the back it has the original Turner Wall Accessory sticker. Hand written on the sticker (in pin) it says where it was purchased, how much it was purchased for and the date (1969). It also says the title “Burning Off”. Is this worth some money? I would be very interested in any information anyone can give me. Thanks.
I just bought a painting called NEW LEAVES. On the back it said it is from the same collection – W.E. Phelps, 1941. Who is the artist for this painting? Mine is matted and I cannot see a signature. Any help would be appreciated. Thanks.
Im looking for a signed print of “the corner”My father recently passed and it mysteriously disapeared before i could claim it. please email me at jim@cpcts.com if you can help. Im from NH originally, but have since relocated to WI. Any help would be greatly appreciated
I just recently inherited a “The Corner” print by Andrew Wyeth. Is it worth anything? I actually like it, but would consider selling if I new more info. on it. Can anyone help? It is from the collection of Mr. & Mrs. W. E. Phelps.
IS ANYONE INTERESTED IN PURCHASING MY DRY BRUSH PRINT ON PAPER OF EARLY OCTOBER BY WYETH OR NEW LEAVES BY PHELPS CONTACT ME THX
I have also acquired “The Corner” Dry brush 21 1/2 x 13 1/2 1953. Collection of Mr and Mrs W. E. Phelps. It appears to be an original signature. Can anyone assist me in getting some history on the picture; estimate its value? Thank you!
I also have “The Corner” Dry Brush 21 1/2 x 13 1/2 1953, on watercolor paper with an apparent original signature. I would appreciate any information about it and its value. Thank you!
Addendum: Also from Collection of Mr. and Mrs. W.E. Phelps. Thanks.
In my search to find some information regarding “The Corner” by Andrew Wyeth, I happened upon this website – http://www.ctyankeeantiques.com/gallery/album17?z=3 – it’s The Connecticut Yankee Antiques and Collectibles site in Woodstock Valley, CT and they give a nice description of the origins of this particular piece.
OKAY PEOPLE I ALSO HAVE A COPY/PRINT OF THE CORNER FROM THE PHELPS COLLECTION CIRCA 1953…SOOOO ACCORDING TO MY RESEARCH..THE ORIGINAL IS IN THE DELAWARE MUSUEM ACCORDING TO MR. FRANK FOWLER,AND WE HAVE REPRODUCTIONS. WHAT I AM BAFFLED BY ACORDING TO WHAT I FOUND….PRINTS/REPRO…WERE NOT DONE UNTIL THE SIXTIES???? THE NPRINTS WE HAVE WERE AQUIRED PRIOR TO 1960
Hi,
I have an Early October picture which is matted so i can not see a signature. ON the back it says early october, dry brush, 13 1/2 x 21 1/2, 1961. collection of mrs. andrew wyeth. Can anyone tell me about this? thank you.
Hi I have a original in pen and ink. It has no signature on the front of it that i can see. Looks to be old. It is a picture of a beautiful tree. On the back side of it it says…….
Ink and Brush 391/2×30″,1941.
Collection of Mr. and Mrs. W.E.Phelps
I am interested in possibly selling it or exhibiting it at a museum. Can anyone help me with this? If so contact me.
I have a dry brush “Early October” 1961 collection of Mrs Andrew Wyeth that I would like to know more about. Can anyone tell me what it’s worth etc.
i have a hardback art in america magazine anneversary edition with the four seasons prints first runs i believe according to the book is worth there to a buyer and what do you concider fair price thanks
I also have and Andrew Wyeth print, 1962 of “The Corner”. This site was excellent for informtion. I’m looking to sell it. Does anyone know price range or would it be same as Connecticut Yankee Antiques. Many different ranges on Ebay. tks.
HI I HAVE A EARLY OCTOBER DRY BRUSH BY ANDREW WYETH SIGNED CAN YOU TELL ME WHAT IT,S WORTH 1961
I have a print of The Corner with a label on the back (it’s matted) which says it is lent from the Wilmington Society of the Fine Arts and then goes on to give a history of who lived there and such. Trying to find out if because it is from the museum that has the original and it has a documented sense of history which other prints may not if it might be worth more or more meaningful. It is old, but no date on it. It tells a unique story, which I haven’t found anywhere else in my research.
I, too, have a framed signed Andrew Wyeth
“The Corner” print. I contacted the Andrew Wyeth Gallery several years ago. They said that “The Corner” was especially printed to give to contributors at a Musuem fundraising function. They didn’t know how many were given, but put a value of around $700.00 to $800.00 on the framed prints. They said that to preserve the value it is imortant to have the print re-matted with acid free matting. The edge of the original matting will turn dark and may in time injure the print. Anyone who has further info please post it. Thank you
Hi Everyone, In reading your posts I have been able to find some answers to my current mystery. I recently purchased a print of The Corner at an antique store. It was framed and matted some time in the 1960’s based on the marking on the back of the frame. I pulled the print out to have it reframed and directly on the back of the print is the hanging deer from Tenant Farmer. Both sides are signed. There are no other markings to indicate where this print is from. I’ve checked every possible book including the Four Seasons portfolio and the print is not from there. If anyone has any ideas of where this two-sided print could have come from, I would be grateful. Lastly, I have left messages at the Brandywine and Farnsworth in the hopes that they can assist in identifying the origins. Thank you!