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	<title>Comments on: Arthur Getz</title>
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		<title>By: valiance</title>
		<link>http://www.linesandcolors.com/2007/02/26/arthur-getz/comment-page-1/#comment-29404</link>
		<dc:creator>valiance</dc:creator>
		<pubDate>Wed, 28 Feb 2007 08:21:30 +0000</pubDate>
		<guid isPermaLink="false">http://www.linesandcolors.com/2007/02/26/arthur-getz/#comment-29404</guid>
		<description>Do you have a post about Glenn Vilppu?</description>
		<content:encoded><![CDATA[<p>Do you have a post about Glenn Vilppu?</p>
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		<title>By: Daniel van Benthuysen</title>
		<link>http://www.linesandcolors.com/2007/02/26/arthur-getz/comment-page-1/#comment-29176</link>
		<dc:creator>Daniel van Benthuysen</dc:creator>
		<pubDate>Tue, 27 Feb 2007 23:51:05 +0000</pubDate>
		<guid isPermaLink="false">http://www.linesandcolors.com/2007/02/26/arthur-getz/#comment-29176</guid>
		<description>I just had the most wonderful time gong through the New Yorker website Getz material cover by cover. One can see influences: the late Edward Hopper, Martin Lewis&#039;s New York street scene etchings. Of course Getz was very much his own artist but it&#039;s easy to see where he fits in the continuum. And now that he&#039;s been gone from the scene for a number of years it&#039;s also easier to see that he HAD to have been an influence on Gretchen Dow Simpson during her run of New Yorker covers late in Getz&#039;s career. 

One marvels at the way the New Yorker has managed to create a kind of cover encountered nowhere else, a cover genre that is not strictly humor and not enirely whimsy or wistfulness, always illustrated but never belabored. They are in a class by themselves. The current New Yorker cartoon editor, Robert Mankoff, himself an enormously witty  cartoonist who began his career contributing a weekly cartoon to a newspaper Real Estate section (imagine 52 cartoons a year on the topic of real estate - what a challenge!) deserves a great deal of credit for the marketing of New Yorker covers and cartoons beyond the magazine itself.</description>
		<content:encoded><![CDATA[<p>I just had the most wonderful time gong through the New Yorker website Getz material cover by cover. One can see influences: the late Edward Hopper, Martin Lewis&#8217;s New York street scene etchings. Of course Getz was very much his own artist but it&#8217;s easy to see where he fits in the continuum. And now that he&#8217;s been gone from the scene for a number of years it&#8217;s also easier to see that he HAD to have been an influence on Gretchen Dow Simpson during her run of New Yorker covers late in Getz&#8217;s career. </p>
<p>One marvels at the way the New Yorker has managed to create a kind of cover encountered nowhere else, a cover genre that is not strictly humor and not enirely whimsy or wistfulness, always illustrated but never belabored. They are in a class by themselves. The current New Yorker cartoon editor, Robert Mankoff, himself an enormously witty  cartoonist who began his career contributing a weekly cartoon to a newspaper Real Estate section (imagine 52 cartoons a year on the topic of real estate &#8211; what a challenge!) deserves a great deal of credit for the marketing of New Yorker covers and cartoons beyond the magazine itself.</p>
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		<title>By: Li-An</title>
		<link>http://www.linesandcolors.com/2007/02/26/arthur-getz/comment-page-1/#comment-28281</link>
		<dc:creator>Li-An</dc:creator>
		<pubDate>Mon, 26 Feb 2007 18:42:40 +0000</pubDate>
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		<description>Beautiful light.</description>
		<content:encoded><![CDATA[<p>Beautiful light.</p>
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