The important thing is to keep on drawing when you start to paint. Never graduate from drawing.
- John Sloan
A man should hear a little music, read a little poetry, and see a fine picture every day of his life.
- Johann Wolfgang von Goethe
 

 

Friday, April 20, 2007

Dan Gheno

Posted by Charley Parker at 10:34 am

Dan GhenoDan Gheno is an artist and teacher who places a special emphasis on figure drawing. He teaches at The Art Students League and The National Academy School in New York and is Prefessor Emeritus, The Lyme Academy College in Old Lyme, Connecticut.

I’m particularly fond of his life drawings because his approach is similar to my own, in that it is a combination of line and tone, heavily influenced by an admiration for the drawings of masters like Michelangelo, Raphael and Rubens.

Gheno also credits his approach to an early fascination with comic book art, and the corresponding desire to develop the ability to draw the figure from his imagination; a path that gave him the impetus to approach figure drawing with special emphasis on a solid sense of geometry underlying the form and a feeling for the volumetric nature of the human form in three dimensional space.

One of the key skills that sets comic book artists apart from other illustrators or cartoonists is the need to develop a consistent ability to invent and quickly draw figures from the imagination, portraying the human form, however exaggerated, in an enormous variety of positions and spatial relationships, often with severe foreshortening.

Dramatic foreshortening and dynamic projections of the figure in space are also hallmarks of masters like Michelangelo, Raphael, Carracci, Tiepolo and Pontormo; and I’ve always suggested that comic book artists and illustrators who work with the invented figure would do well to supplement their life drawing with the study of these artists’ drawings, along with more traditional sources of instruction like the books of Andrew Loomis, George Bridgeman and Walt Reed. (Would-be comic book artists who study only the work of other comic book artists are simply lost.)

To that list of instructional inspiration, I would easily add Dan Gheno, not only for comic book artists and illustrators, but for any artist interested in drawing the figure.

Though Gheno has not yet written a book of his instructional methods, he has over time written a series of articles on figure drawing for American Artist magazine and American Artist’s Drawing magazine. These have been collected into a special issue of Drawing Highlights that is now on the newsstands.

This is essentially a figure drawing instruction book in magazine form and is a tremendous resource for under $10. Gheno supplements his clear and thoughtful instruction not only with his own accomplished drawings, but with the work of a variety of master draftsmen, including the artists mentioned above and a host of others, like Rembrandt, Ingres, Goltzius, Rodin, Durer, Da Vinci, Prud’hon, Greuze and Charles Dana Gibson.

There are articles on drawing the figure, the hand, the head, actions and gestures and the seldom covered subject of drapery on the human form, i.e. folds in clothing.

You can also find somewhat truncated versions of some of these articles on Gheno’s web site in the Teachings section.

Unfortunately, Gheno’s site is one of those awkward, mid-90’s style nightmares with scrolling pages full of centered text and oversize linked headings, but you’ll find it worth the trouble to dig around and find your way to his drawings, metaphorical figurative paintings, landscapes, teachings, reading list and materials list. (The navigation links that should be on the home page are strewn down this page. Click on the large text links that look like headings for the subsections; the images are linked to their larger versions. In the galleries, only the images with red dots are linked to larger versions, the others are empty links that will leave you 404.) Gheno has also provided a nice set of links to art resources he has found of value.

There is also a transcript of an online chat with Gheno on the American Artist site. The special issue of Drawing Highlights should be on the newsstands for a few months (or until it sells out).

Addendum: The managing editor of American Artist was kind enough to write and let me know that the issue of Drawing Highlights mentioned here can be ordered directly from them through this link.

Share or bookmark this post:
  • Digg
  • del.icio.us
  • Facebook
  • Google Bookmarks
  • Mixx
  • Reddit
  • Sphinn
  • StumbleUpon
  • Yahoo! Bookmarks
  • Yahoo! Buzz
  • Twitter

1 comment for Dan Gheno »

RSS feed for comments on this post.

  1. Comment by Lane Meyers
    Friday, April 20, 2007 @ 6:41 pm

    Thank you for this. The drawings reminded me of Andrew Loomis whose instructional books I grew up on. It then compelled me to dig through the belongings my father, an artist, left to me upon his death, and I unexpectedly found “Figure Drawing for All It’s Worth” 1943. I discovered inside the book my father’s true signature, and it brought me gladness. What beautiful writing. I do so miss good penmanship.

    Again, thank you.

Leave a comment

(required)

(required but not published)

 
Display Ads on Lines and Colors: $25/week or $75/month.

Please note that display ads for lines and colors are limited to art related topics and may not be animated.




Donate Life

The Gift of a Lifetime
Exhibitions
Drawing, Illustration and Comics
Updated 5/18/10
Norman Rockwell: Behind the Camera
Nov 7, 2009 - May 31, 2010
Norman Rockwell Museum, MA
Drawings and Prints: Selections from the Permanant Collection
April 21 - July 4, 2010
Metropolitan Museum of Art, NY
An Italian Journey: Drawings from the Tobey Collection, Correggio to Tiepolo
May 12 - Aug 15, 2010
Metropolitan Museum of Art, NY
Defining Beauty: Albrecht Dürer at the Morgan
May 14 - Sept 12, 2010
Morgan Library and Museum, NY
Batman: Yesterday and Tomorrow
Jan 30 - June 6, 2010
Cartoon Art Museum, CA
The Pastoral Vision:British Prints, 1800 — Present
May 15 - Aug 15, 2010
Delaware Art Museum, DE
Earth: Fragile Planet
June 4 - July 31, 2010
Society of Illustrators, NY
German Drawings from the Wolfgang Ratjen Collection, 1580 to 1900
May 16 - Nov 28, 2010
National Gallery of Art, DC