http://www.linesandcolors.com/2008/04/23/philip-burke/ Thu, 20 Nov 2008 18:47:44 +0000 http://wordpress.org/?v=2.5.1 http://www.linesandcolors.com/2008/04/23/philip-burke/#comment-623576 Carla Mon, 10 Nov 2008 22:07:53 +0000 http://www.linesandcolors.com/?p=964#comment-623576 I have the original "Madonna" 36"x48",which appeared in the 1992 Musik Express. It is one of the famous "Madonna" poses from that era done in Philip's amazingly bright perspective. Of course, I have the certificate of authenticity from Philip. If interested, please do contact me at pbmlove1@gmail.com. I have the original “Madonna” 36″x48″,which appeared in the 1992 Musik Express. It is one of the famous “Madonna” poses from that era done in Philip’s amazingly bright perspective. Of course, I have the certificate of authenticity from Philip. If interested, please do contact me at pbmlove1@gmail.com.

]]> http://www.linesandcolors.com/2008/04/23/philip-burke/#comment-543300 rick pariser Tue, 12 Aug 2008 21:24:26 +0000 http://www.linesandcolors.com/?p=964#comment-543300 Philip's "Alec Baldwin" which appeared in Rolling Stone Issue #575 is one of the best he has ever done. I have the original 3' x 4' painting, a certificate of authenticity from Philip (whom I knew years ago) and a copy of the RS edition in which it appeared. If you are interested in purchasing, please contact me. Value $35,000 - no dreamers please Philip’s “Alec Baldwin” which appeared in Rolling Stone Issue #575 is one of the best he has ever done. I have the original 3′ x 4′ painting, a certificate of authenticity from Philip (whom I knew years ago) and a copy of the RS edition in which it appeared. If you are interested in purchasing, please contact me. Value $35,000 - no dreamers please

]]> http://www.linesandcolors.com/2008/04/23/philip-burke/#comment-434000 oakling Wed, 28 May 2008 19:13:20 +0000 http://www.linesandcolors.com/?p=964#comment-434000 MOST of them? man, I would love for people to develop a lighter touch with watermarks. There should never be a risk that viewers won't be able to get a feel for the original piece; otherwise, why put it online at all? MOST of them? man, I would love for people to develop a lighter touch with watermarks. There should never be a risk that viewers won’t be able to get a feel for the original piece; otherwise, why put it online at all?

]]> http://www.linesandcolors.com/2008/04/23/philip-burke/#comment-400206 Dale Stephanos Tue, 29 Apr 2008 01:43:30 +0000 http://www.linesandcolors.com/?p=964#comment-400206 You might enjoy this. It's from Stephen Kroninger's blog: http://www.drawger.com/kroninger/?start_date=1191211200&end_date=1193889600&archives=true You might enjoy this. It’s from Stephen Kroninger’s blog:
http://www.drawger.com/kroninger/?start_date=1191211200&end_date=1193889600&archives=true

]]> http://www.linesandcolors.com/2008/04/23/philip-burke/#comment-395495 Eshwin Thu, 24 Apr 2008 06:12:32 +0000 http://www.linesandcolors.com/?p=964#comment-395495 It's fascinating how the figures are slightly pushed and distorted, and also very painterly, yet have the weight of three dimensions regardless. It’s fascinating how the figures are slightly pushed and distorted, and also very painterly, yet have the weight of three dimensions regardless.

]]> http://www.linesandcolors.com/2008/04/23/philip-burke/#comment-394779 Josh Cassidy Wed, 23 Apr 2008 16:07:01 +0000 http://www.linesandcolors.com/?p=964#comment-394779 I love this guys work! Thanks for sharing! I love this guys work! Thanks for sharing!

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