Every true artist has been inspired more by the beauty of lines and color and the relationships between them than by the concrete subject of the picture.
- Piet Mondrian
Colour helps to express light, not the physical phenomenon, but the only light that really exists, that in the artist's brain.
- Henri Matisse
 

 

Friday, August 22, 2008

Chris Sprouse

Posted by Charley Parker at 10:00 am

Chris Sprouse
Chris Sprouse is an American comics artist whose clean elegant drawing style lies somewhere between the open line styles of European comics and the more heavily rendered styles common in American mainstream comics.

Sprouse is most noted for his work on Alan Moore’s Tom Strong, a comics series that combined some of the best elements of Lee/Kirby stories for The Fantastic Four, the early Challengers of the Unknown comics and the Doc Savage pulp novels.

The series was wonderfully fun and beautifully drawn, and Sprouse was the perfect choice to bring it to life. It was, in fact, designed around his predilections. Moore fashioned all of the titles in his ABC comics line around his co-creators strengths and drawing styles. In Sprouse’s case, that meant lots of high-tech gadgets, spaceships, and a robust family of characters. Sprouse garnered two Eisner awards for his work on the series. The image above shows one of his covers for the series in pencilled and finished form.

Unlike the tendency on the part of a lot of superhero artists to go over the top in trying to make their characters look “super”, Sprouse stays grounded in a more naturalistic portrayal of people, giving his stories an extra feeling of realism, in spite of the delightful degree of lively stylization in his drawing style. His figures, in particular, have the kind of power-under-the-surface feeling you see in athletes, as opposed to the too-musclebound-to-do-anything-but-grimace style all too common in superhero comics.

Sprouse has also worked for other major comics companies on titles like Legionnaires, Supreme and Midnighter. He drew a Star Wars story for Dark Horse, Star Wars: Splinter in the Mind’s Eye, and an under-appreciated science fiction graphic story called Ocean with Warren Ellis. His most recent project was Wildstorm’s Number of the Beast, written by Scott Beatty.

As far as I can determine, Sprouse does not have a web site or blog, so I’ve dug up what resources I can find. There is an unofficial gallery of his work on Comic Art Community.

Addendum: Johnny Bacardi was kind enough to write and let us know that Sprouse does, in fact, have a blog. (Thanks!)

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Posted in: Comics   |  

3 comments for Chris Sprouse »

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  1. Comment by Johnny Bacardi
    Friday, August 22, 2008 @ 3:51 pm

    Actually, Sprouse does have a blog.

  2. Comment by Marilyn Leahy
    Saturday, August 23, 2008 @ 7:58 pm

    This guy does landscapes only, of arctic regions mainly, from sketches. He uses up to 30 or so layers of oil glazes to achieve his depth and transparency.

    Yes, I know Alaska really does look like that, so I must suppose that the Antarctic does too.

    http://www.rosenthalpaintings.com/RosenthalPaintings.htm

  3. Comment by James R
    Wednesday, August 27, 2008 @ 9:06 am

    I’ve always loved Sprouse’s work. He has such a clean style that harkens to the yesteryear of comics without feeling dated or like a copy-cat.

    Characters are drawn with an aloofness. A serenity. Yet one seems to understand their mood none-the-less. A wickedly cool artist indeed.

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