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	<title>Comments on: Lucong (Cong Hua Lu)</title>
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	<link>http://www.linesandcolors.com/2008/10/15/lucong-cong-hua-lu/</link>
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		<title>By: Charley Parker</title>
		<link>http://www.linesandcolors.com/2008/10/15/lucong-cong-hua-lu/comment-page-1/#comment-602241</link>
		<dc:creator>Charley Parker</dc:creator>
		<pubDate>Sat, 18 Oct 2008 12:42:23 +0000</pubDate>
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		<description>Corrected. Thanks, Nail.</description>
		<content:encoded><![CDATA[<p>Corrected. Thanks, Nail.</p>
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		<title>By: Nail</title>
		<link>http://www.linesandcolors.com/2008/10/15/lucong-cong-hua-lu/comment-page-1/#comment-602229</link>
		<dc:creator>Nail</dc:creator>
		<pubDate>Sat, 18 Oct 2008 12:27:28 +0000</pubDate>
		<guid isPermaLink="false">http://www.linesandcolors.com/2008/10/15/lucong-cong-hua-lu/#comment-602229</guid>
		<description>Errr...I don&#039;t want to be picky but:
He was born in 1978 and moved to US in 1989. China&#039;s culture revolution ended in 1976. (1966-1976)

Like many of my cousins in China, his parents should be highly influenced by that era, but himself highly unlikely would be impacted by the restrictions by that time - either in life or in art.</description>
		<content:encoded><![CDATA[<p>Errr&#8230;I don&#8217;t want to be picky but:<br />
He was born in 1978 and moved to US in 1989. China&#8217;s culture revolution ended in 1976. (1966-1976)</p>
<p>Like many of my cousins in China, his parents should be highly influenced by that era, but himself highly unlikely would be impacted by the restrictions by that time &#8211; either in life or in art.</p>
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		<title>By: Charley Parker</title>
		<link>http://www.linesandcolors.com/2008/10/15/lucong-cong-hua-lu/comment-page-1/#comment-602243</link>
		<dc:creator>Charley Parker</dc:creator>
		<pubDate>Sat, 18 Oct 2008 12:25:14 +0000</pubDate>
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		<description>Thanks for the comment, Dan. I don&#039;t quite see his work that way (not all of his figures are emaciated), but you&#039;re spot on about the comparison of his drawings to those of Schiele. I knew I recognized them as similar to someone, just couldn&#039;t put my finger on it.</description>
		<content:encoded><![CDATA[<p>Thanks for the comment, Dan. I don&#8217;t quite see his work that way (not all of his figures are emaciated), but you&#8217;re spot on about the comparison of his drawings to those of Schiele. I knew I recognized them as similar to someone, just couldn&#8217;t put my finger on it.</p>
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		<title>By: Dan van Benthuysen</title>
		<link>http://www.linesandcolors.com/2008/10/15/lucong-cong-hua-lu/comment-page-1/#comment-599283</link>
		<dc:creator>Dan van Benthuysen</dc:creator>
		<pubDate>Wed, 15 Oct 2008 22:04:35 +0000</pubDate>
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		<description>Lucong&#039;s rendering skills and composition are remarkable and genuinely admirable. And you know I am a huge fan of this blog, Charley. But I don&#039;t agree that Lucong&#039;s paintings convey &quot;the longing for something undefined that can never be fully obtained.&quot; 

On the contrary, it&#039;s fairly easy to define what these figures long for. They long for food. They are slack-jawed and hollow-cheeked. And they all have the glassy-eyed look symptomatic of nutritional deficiencies. The drawings are chicly derivative of Egon Schiele&#039;s renderings or concentration camp drawings.

And given that the subjects appear reasonably prosperous (ie. people who can feed themselves if they so choose), I find it difficult to see his art as anything other than a gratuitous glamorization of eating disorders. While I do admire the rendering skill, the color choices and the composition, I find the end results ultimately repugnant in many of these pieces. 

So very hip. So very perverse.</description>
		<content:encoded><![CDATA[<p>Lucong&#8217;s rendering skills and composition are remarkable and genuinely admirable. And you know I am a huge fan of this blog, Charley. But I don&#8217;t agree that Lucong&#8217;s paintings convey &#8220;the longing for something undefined that can never be fully obtained.&#8221; </p>
<p>On the contrary, it&#8217;s fairly easy to define what these figures long for. They long for food. They are slack-jawed and hollow-cheeked. And they all have the glassy-eyed look symptomatic of nutritional deficiencies. The drawings are chicly derivative of Egon Schiele&#8217;s renderings or concentration camp drawings.</p>
<p>And given that the subjects appear reasonably prosperous (ie. people who can feed themselves if they so choose), I find it difficult to see his art as anything other than a gratuitous glamorization of eating disorders. While I do admire the rendering skill, the color choices and the composition, I find the end results ultimately repugnant in many of these pieces. </p>
<p>So very hip. So very perverse.</p>
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		<title>By: 1000 Days</title>
		<link>http://www.linesandcolors.com/2008/10/15/lucong-cong-hua-lu/comment-page-1/#comment-598964</link>
		<dc:creator>1000 Days</dc:creator>
		<pubDate>Wed, 15 Oct 2008 14:10:56 +0000</pubDate>
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		<description>Excellent inspiration for my morning&#039;s writing.

http://1000days.douglasblaine.com/20081015/inward-from-outward/</description>
		<content:encoded><![CDATA[<p>Excellent inspiration for my morning&#8217;s writing.</p>
<p><a href="http://1000days.douglasblaine.com/20081015/inward-from-outward/" rel="nofollow">http://1000days.douglasblaine.com/20081015/inward-from-outward/</a></p>
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