Drawing demands that the artist
pause, to be.
- Pat Oblak
If you paint a man leaning over,
your own back must ache.
- N. C. Wyeth
 

 

Tuesday, October 28, 2008

Luther Emerson van Gorder

Posted by Charley Parker at 9:09 am

Luther Emerson van GorderI discovered Luther van Gorder from a striking small painting of his that attracted my attention in the midst of some of the terrific French and American Impressionist work in the current Paths to Impressionism exhibit at the Newark Museum in New Jersey.

The piece is called In the Park, showing women strolling in New York’s Central Park around the turn of the 20th Century (left, top); and it’s one of those wonderful combinations of impressionist color and free, open brushwork with the traditional academic draftsmanship and geometric solidity that the French Impressionists rejected to great extent, that exemplifies why I love American Impressionism. The original is in the Worcester Art Museum (from which much of the current exhibit at the Newark Museum is drawn).

Van Gorder was from Ohio, studied with the brilliant American Impressionist William Merrit Chase at the Chase School of Art, and under Emile Carolus-Duran, the French painter and atelier master under whom several of the French Impressionists studied, and at the École des Beaux-Arts in Paris.

He painted scenes of rural France, urban Paris, particularly its colorful flower markets, and the banks of the New York Sound among other places; and exhibited at the National Academy of Design and The Pennsylvania Academy of the Fine Arts.

It’s interesting to compare his Japanese Lanterns (left, bottom) to Sargent’s beautiful Carnation, Lily, Lily, Rose which was likely its inspiration. Van Gorder also studied in London for a time, where he met Sargent and was exposed to the work of Whistler, the influence of which shows in the tonalist character of some of his work.

 
Posted in: Gallery and Museum Art   |  

6 comments for Luther Emerson van Gorder »

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  1. Comment by bill
    Tuesday, October 28, 2008 @ 9:37 am

    seeing that light in the third piece really makes me want to paint. i think i will

  2. Comment by Charley Parker
    Tuesday, October 28, 2008 @ 11:00 am

    That sounds great. Inspiration is the name of the game.

  3. Comment by Daniel van Benthuysen
    Tuesday, October 28, 2008 @ 11:29 am

    Never trust an artist who has three last names…

  4. Comment by Charley Parker
    Tuesday, October 28, 2008 @ 11:31 am

    Particularly if one of them is “van”. (grin)

  5. Comment by Daniel van Benthuysen
    Wednesday, October 29, 2008 @ 11:13 am

    My point exactly…

  6. Comment by mark roper
    Tuesday, November 25, 2008 @ 6:51 am

    hi, ive got that in the park painting. does anyone know where i could get it valued?

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Exhibitions
Drawing, Illustration and Comics
Updated 11/11/08
Double Lives: American Painters as Illustrators, 1850-1950
Sept 6 - Nov 23, 2008
Brandywine River Museum, DE
The Totoro Forest Project
Sep 20, 2008 - Feb 8, 2009
Cartoon Art Museum San Francisco, CA
A Light TOuch: Exploring Humor in Drawing
Sep 23 - Dec 7, 2008
The Getty Center, CA
New Acquisitions
Oct 7 - Dec 31, 2008
Society of Illustrators, NY
Drawings and Prints: Selections from the Permanent Collection
Oct 20, 2008 - Jan 11, 2009
Metropolitan Museum of Art, NY
Giles: One of the Family
Nov 5, 2008 - Feb 15, 2009
The Cartoon Museum, London, UK
Over the Top: American Posters from World War I
Nov 8, 2008 - Jan 25, 2009
Norman Rockwell Museum, MA
Leonardo da Vinci: Drawings from the Biblioteca Reale in Turin
Nov 15, 2008 - Jan 4, 2009
Fine Arts Museum of San Francisco, CA
Frank E. Schoonover: An Artist for All Seasons
Nov 22, 2008 - Jan 11, 2009
Delaware Art Museum, DE


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