Gris Grimly is the author and illustrator of children’s books like Jordan Ray’s Muddy Spud and the Wicked Nursery Rhymes series. He is also the illustrator for numerous other books, including The Dangerous Alphabet with Neil Gaiman.
His web site, Mad Creator Productions, has a showcase of many of them, as well as a portfolio of art that includes both color and black and white illustration and gallery art. (I can’t give you direct links because the site is in Flash.)
He works in ink and watercolor, often using fine lines drawn with technical pens over which he lays washes, splotches and glorious spatters of watercolor. He also appears to use ink spatters, giving his gothic horror themed illustrations a wonderful feeling of looseness and texture.
Grimly also maintains a MySpace page, and there is a gallery of his book covers, along with a short bio, on the Tor.com site.
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To Whom It May Concern:
I am currently representing the DSL Collection and I thought you might be interested in learning more.
Let me introduce to you the DSL collection.
The DSL collection is a private collection representing 70 of the leading Chinese avant-garde artists, artists having a major influence on the development of contemporary art in China today. The range of media present in the collection include painting, sculpture, installation, video, and photography; yet the choice of works tries to go beyond the current contemporary art market frenzy. A fixation with emblematic Chinese artists who are at present the darlings of the market could easily distort the understanding of both, history and actual situation of the contemporary Chinese art scene.
Even though focusing on the contemporary production of a specific culture, the collection is nevertheless not guided by the search for otherness. It admits basic cultural similarities and dispositions, however, goes beyond a simplistic approach looking for typical cultural signs and symbols.
The collection is limited to a specific number of art works – about 120 pieces – that as an entity is open to constant redefinition itself. Openness, movement and communication are basic qualities we want to promote.
The DSL website is as attempt to create an open space for public actions, a journey for unknown encounters. As we witness an acceleration of exhibitions activities across the globe, the scale of a show is becoming less relevant than finding new ways to engage a new audience.
An encounter with the “dematerialized†can also bring about something tangible and relevant.
A virtual museum is already on line.
I would like to invite you to have a closer look at the collection website:
http://www.dslcollection.org/
Regards
I didn’t know his work until I saw some of it – for “Legend of Sleepy Hollow” – at the Society of Illustrators last year. It’s great close up in person; I’ve been a fan ever since.
I think that you AWESOME!!!