I sometimes think there is nothing so delightful as drawing.
-Vincent van Gogh
If people knew how hard I worked to get my mastery, it wouldn't seem so wonderful at all.
- Michelangelo Buonarroti
 

 

Monday, July 6, 2009

Kim Lordier

Posted by Charley Parker at 10:26 am

Kim Fancher Lordier
Pastel is one of those interesting areas where definitions of media show their limitations.

Pastel is a dry medium and is applied in may ways like a drawing medium, and of course can be used for drawing; but pastel is often used in applications that are more like painting, and “pastel painting” is a accepted term to a degree, though pastel doesn’t employ the liquid mediums and binders that are associated with paint.

I mention this because if there is one word that I want to use in describing the work of pastel artist Kim Fancher Lordier, it’s “painterly”.

Her passages of rich, textural color, woven together in luscious slabs and chunks into atmospheric wholes, are vibrant with the kind of feeling for the physical nature of the medium that ordinarily prompts the use the word painterly to refer to visible brushstrokes.

Lordier is a California artist who takes inspiration from the turn of the 20th Century California Impressionist painters (see my posts on Granville Redmond, Guy Rose – also here, Hanson Puthuff and George Gardner Symons).

She uses the painterly qualities of pastel to explore the light and atmosphere of the California countryside, her images evocative of time and season as well as place. She juxtaposes bright, high chroma passages with more muted colors, misty atmospheric perspective and subtle, color saturated darks.

Lordier’s website showcases and extensive array of her work. (Click to view the larger image and then use the arrows to click through.) There are also works visible on the sites of the galleries listed below.

Lordier conducts pastel workshops; one is coming up July 10-13 in Mt Vernon, Washington, and anther July 27-28 in San Mateo County, California.

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3 comments for Kim Lordier »

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  1. Comment by Steve Worthington
    Monday, July 6, 2009 @ 6:57 pm

    Lovely stuff!
    Takes me back (I used to live in California)..

  2. Comment by Tom Wheeler
    Wednesday, July 8, 2009 @ 5:40 pm

    She has got a great eye. I notice many of her works seem to be capturing that evening /dusk or early morning color.. what many photographers call the time of the sweet light.

    I’m always a little disappointed when I look up close at Plein air style paintings though.. I guess I wish for greater detail. it doesn’t need to be photographic, but a I think a little more detail would be rewarding.

  3. Comment by Ölbilder
    Thursday, July 9, 2009 @ 3:20 am

    Indeed. I really like your work. its very impressive

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Exhibitions
Drawing, Illustration and Comics
Updated 9/13/09
Engines of Enchantment: the machines and cartoons of Rowland Emett
29 July - 1 Nov, 2009
The Cartoon Museum, London, UK
Illustrating Her World: Ellen Bernard Thompson Pyle
Aug 1, 2009 - Jan 3, 2010
Delaware Art Museum, DE
Intrepid and Inventive: Illustrations by Rockwell Kent
Sept 12 - Nov 19, 2009
Brandywine River Museum, DE
Renaissance to Revolution: French Drawings from the National Gallery of Art, 1500 - 1800
Oct 1, 2009 - Jan 31, 2010
National Gallery of Art, DC
Rococo and Revolution: Eighteenth-Century French Drawings
Oct 2, 2009 - Jan 3, 2010
Morgan Library and Museum, NY
Maxfield Parrish: Illustrated Letters
Oct 17, 2009 - Jan 17, 2010
Delaware Art Museum, DE
Fantasies and Fairy-Tales: Maxfield Parrish and the Art of the Print
Oct 31, 2009 - Jan 10, 2010
Delaware Art Museum, DE
Alice in Pictureland: Illustrations of Lewis Carroll's Classic Tales
Nov 27, 2009 - Jan 10, 2010
Brandywine River Museum, DE
The Drawings of Bronzino
Jan 20 - April 18, 2009
Metropolitan Museum of Art, NY


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