I sometimes think there is nothing so delightful as drawing.
-Vincent van Gogh
If people knew how hard I worked to get my mastery, it wouldn't seem so wonderful at all.
- Michelangelo Buonarroti
 

 

Thursday, August 13, 2009

Matt Gaser (update)

Posted by Charley Parker at 11:59 pm

Matt Gaser
When I first wrote about Matt Gaser back in 2007, I remember being impressed, but when I recently revisited his site I was knocked out.

Gaser is a concept artist and art director for the film industry, though his previous work includes art for gaming companies. He has worked for companies like Electronic Arts and Sega Studios, and is now with Lucasfilm Animation.

His credits include projects like Demonstone: Forgotten Realms, Eragon, Star Wars: The Clone Wars, and a new project called Blue Mars.

Since my previous article, Gaser has completely redone and expanded his web site, and has been maintaining a blog.

Gaser works digitally, painting his images in Photoshop, but the term I keep wanting to apply to his approach is “painterly”; though not in the sense of working in a manner that emulates traditional brush strokes, (as is possible in digital painting); Gaser paints in a way that is fundamentally digital, with strokes of color (often translucent) that are quite unlike traditional brushstrokes in many ways. I use the word “painterly” in the sense that the strokes of color are visible components of the painting. They impart texture and surface variation that contribute to the character of the image in a way analogous to paint strokes on canvas.

Gaser’s loose, but highly accurate application of color, and his wonderfully developed sense of color and value relationships, give his concept paintings, which are basically meant as a guide for filmmakers and game designers in composing the final animated images, a degree of visual interest that makes them stand on their own.

He has a nice balance of quickly noted passages, often in the form of atmospheric backgrounds, with just the right touches of detail, harder edges and sharp contrasts. It gives his images a feeling of dimensionality and compositional strength that I find particularly appealing.

In addition to selections of professional work, his is new web site includes sections of personal work, plein air painting, sketches, doodles and sculpture. Be sure to note that most of the galleries have multiple pages, accessed by numbered links at bottom right.

The Projects section promises that work from his most recent projects, Star Wars: The Clone Wars and Blue Mars will be added soon. I’m looking forward to that, but in the meantime, you can find some work from the Blue Mars project (image above, middle) on his blog.

Also on the blog, you will find mention of another recent project, an as yet unpublished book called In the Between, illustrated by Gaser and written by his mother, Sandy Gaser.

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Exhibitions
Drawing, Illustration and Comics
Updated 9/13/09
Engines of Enchantment: the machines and cartoons of Rowland Emett
29 July - 1 Nov, 2009
The Cartoon Museum, London, UK
Illustrating Her World: Ellen Bernard Thompson Pyle
Aug 1, 2009 - Jan 3, 2010
Delaware Art Museum, DE
Intrepid and Inventive: Illustrations by Rockwell Kent
Sept 12 - Nov 19, 2009
Brandywine River Museum, DE
Renaissance to Revolution: French Drawings from the National Gallery of Art, 1500 - 1800
Oct 1, 2009 - Jan 31, 2010
National Gallery of Art, DC
Rococo and Revolution: Eighteenth-Century French Drawings
Oct 2, 2009 - Jan 3, 2010
Morgan Library and Museum, NY
Maxfield Parrish: Illustrated Letters
Oct 17, 2009 - Jan 17, 2010
Delaware Art Museum, DE
Fantasies and Fairy-Tales: Maxfield Parrish and the Art of the Print
Oct 31, 2009 - Jan 10, 2010
Delaware Art Museum, DE
Alice in Pictureland: Illustrations of Lewis Carroll's Classic Tales
Nov 27, 2009 - Jan 10, 2010
Brandywine River Museum, DE
The Drawings of Bronzino
Jan 20 - April 18, 2009
Metropolitan Museum of Art, NY


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