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	<title>Comments on: Jean Fouquet</title>
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	<link>http://www.linesandcolors.com/2009/10/25/jean-fouquet/</link>
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		<title>By: Todd Groesbeck</title>
		<link>http://www.linesandcolors.com/2009/10/25/jean-fouquet/comment-page-1/#comment-825658</link>
		<dc:creator>Todd Groesbeck</dc:creator>
		<pubDate>Mon, 26 Oct 2009 17:36:15 +0000</pubDate>
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		<description>This is wonderful, thanks for posting Jean Fouquet&#039;s work.</description>
		<content:encoded><![CDATA[<p>This is wonderful, thanks for posting Jean Fouquet&#8217;s work.</p>
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		<title>By: Daniel van Benthuysen</title>
		<link>http://www.linesandcolors.com/2009/10/25/jean-fouquet/comment-page-1/#comment-825651</link>
		<dc:creator>Daniel van Benthuysen</dc:creator>
		<pubDate>Mon, 26 Oct 2009 16:22:45 +0000</pubDate>
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		<description>The Madonna has some overtones that are not just sensuous but somewhat weird. Her breast has always appeared to me to have the consistency and high-gloss sheen of a billiard ball. That, together with the stiffness of her attitude, argue in favor of the Agnes Sorel likeness: It&#039;s a tricky business for a court painter to portray a king&#039;s courtesan. One wants to make the lady look great but not appear to be to familiar about creating the likeness.</description>
		<content:encoded><![CDATA[<p>The Madonna has some overtones that are not just sensuous but somewhat weird. Her breast has always appeared to me to have the consistency and high-gloss sheen of a billiard ball. That, together with the stiffness of her attitude, argue in favor of the Agnes Sorel likeness: It&#8217;s a tricky business for a court painter to portray a king&#8217;s courtesan. One wants to make the lady look great but not appear to be to familiar about creating the likeness.</p>
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