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	<title>Comments on: Laraine Armenti</title>
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	<link>http://www.linesandcolors.com/2010/06/30/laraine-armenti/</link>
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		<title>By: Charley Parker</title>
		<link>http://www.linesandcolors.com/2010/06/30/laraine-armenti/comment-page-1/#comment-888190</link>
		<dc:creator>Charley Parker</dc:creator>
		<pubDate>Mon, 05 Jul 2010 14:30:09 +0000</pubDate>
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		<description>Thanks, Laraine. I&#039;ve corrected the reference to Michigan.</description>
		<content:encoded><![CDATA[<p>Thanks, Laraine. I&#8217;ve corrected the reference to Michigan.</p>
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		<title>By: Laraine</title>
		<link>http://www.linesandcolors.com/2010/06/30/laraine-armenti/comment-page-1/#comment-888187</link>
		<dc:creator>Laraine</dc:creator>
		<pubDate>Mon, 05 Jul 2010 14:01:57 +0000</pubDate>
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		<description>Thanks for the review. I live and work in Massachusetts, not Michigan.</description>
		<content:encoded><![CDATA[<p>Thanks for the review. I live and work in Massachusetts, not Michigan.</p>
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		<title>By: Charley Parker</title>
		<link>http://www.linesandcolors.com/2010/06/30/laraine-armenti/comment-page-1/#comment-887669</link>
		<dc:creator>Charley Parker</dc:creator>
		<pubDate>Fri, 02 Jul 2010 12:14:09 +0000</pubDate>
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		<description>I agree. Visual charm is an element I often identify in gouache paintings for many of the reasons you mention. I think the tendency of gouache to make areas of relatively flat color lends itself to paintings that have a graphic sensibility. It also allows for wonderfully sharp calligraphic lines.</description>
		<content:encoded><![CDATA[<p>I agree. Visual charm is an element I often identify in gouache paintings for many of the reasons you mention. I think the tendency of gouache to make areas of relatively flat color lends itself to paintings that have a graphic sensibility. It also allows for wonderfully sharp calligraphic lines.</p>
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		<title>By: kasi</title>
		<link>http://www.linesandcolors.com/2010/06/30/laraine-armenti/comment-page-1/#comment-887649</link>
		<dc:creator>kasi</dc:creator>
		<pubDate>Fri, 02 Jul 2010 10:54:14 +0000</pubDate>
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		<description>&quot;Thank You for the artistic blog

&lt;a&gt;Beautiful body paintings&lt;/a&gt;&quot;</description>
		<content:encoded><![CDATA[<p>&#8220;Thank You for the artistic blog</p>
<p><a>Beautiful body paintings</a>&#8220;</p>
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		<title>By: Valentino</title>
		<link>http://www.linesandcolors.com/2010/06/30/laraine-armenti/comment-page-1/#comment-887329</link>
		<dc:creator>Valentino</dc:creator>
		<pubDate>Thu, 01 Jul 2010 09:41:11 +0000</pubDate>
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		<description>Nice. 
There&#039;s particular charm in gouache paintings, something that can hardly be imitated in other mediums. I think it stems from its inherent limits - opaqueness, matte finish and the fact that they&#039;re unsuitable for smooth value gradation. Best gouache artists succeeded to use those &quot;drawbacks&quot; to their advantage. Think Wyeth, Robert McGinnis or Syd Mead.</description>
		<content:encoded><![CDATA[<p>Nice.<br />
There&#8217;s particular charm in gouache paintings, something that can hardly be imitated in other mediums. I think it stems from its inherent limits &#8211; opaqueness, matte finish and the fact that they&#8217;re unsuitable for smooth value gradation. Best gouache artists succeeded to use those &#8220;drawbacks&#8221; to their advantage. Think Wyeth, Robert McGinnis or Syd Mead.</p>
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