It is often said that Leonardo drew so well because he knew about things; it is truer to say that he knew about things because he drew so well.
- Kenneth Clark
Painting is stronger than I am. It can make me do whatever it wants.
- Pablo Picasso
 

 

Thursday, February 16, 2012

Sean Cheetham (update)

Posted by Charley Parker at 8:20 pm

Sean Cheetham
Since writing a post about portraitist and figurative artist Sean Cheetham in 2008, I still know little more about him than I did then, which wasn’t much.

Still, I’ve gathered what additional resources I can for an update post. His direct, uncompromising portraits have a wonderful sense of presence and personality, as well as a painterly surface and strong compositions.

Cheetham’s website seems largely abandoned in that its single page is linked to a gallery that is a lapsed domain name.

However, his blog, though infrequently updated, has some new work, and his paintings are currently on exhibit in a show at the Katherine Cone Gallery in Los Angeles that runs until March 10, 2012.

In addition there are a couple of time-lapse videos of Cheetham giving portrait demonstrations on YouTube here and here.

Cheetham is an instructor at the Los Angeles Academy of Figurative Art and there is a brief bio and gallery on their site.

There is also an article on Painting Perceptions and another on Artist Daily with a gallery.

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2 comments for Sean Cheetham (update) »

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  1. Comment by David J. Teter
    Friday, February 17, 2012 @ 3:32 am

    Nice to see another post and new work on Cheetham here Charley even if his online presence is elusive. Makes it tough to find out where he shows his work.
    I recently saw the top painting, a self portrait I think, at a small show here in San Pedro California.
    I also visited the Mendenhall Sobieski Gallery (his website link) in Pasadena California, (which I think is closed), a few years back for one of his shows, drawings and paintings. Great work.

  2. Comment by Daniel van Benthuysen
    Friday, February 17, 2012 @ 6:34 am

    Great post, Charley.

    He combines two traits not often found together in the same painting: on the one hand there is direct emotional engagement with the sitters that would seem to come only from first-hand observation (as opposed to say, working from photos, memory or imagination.) On the other hand, there are compositional experiments normally emphasized by artists in the absence of a live model’s presence.

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