SketchCrawl is a drawing marathon, originally conceived by Pixar storyboard artist Enrico Casarosa, and modeled as a pubcrawl, but with art materials. Artists gather in groups in various cities around the world and move from location to location within their respective cities, drawing what’s around them.

The results are often posted in blogs, Flickr groups and in the SketchCrawl forums.

This Saturday, November 21st, 2009, is the 25th World Wide SketchCrawl. You can look through the forum posts to see if anyone is organizing a SketchCrawl near you. Anyone can participate, at any level of sketching experience, including complete novice, and you can sketch with the group for a much or as little time that day as you choose.

Here are the guidelines for participation.

Prior to the event, the forum posts are about the locations and times of the events in various cities. After the event, look for the posts labeled “Results” to see comments about the event, photos and sketches from the day.

(Images above, from SketchCrawl 24, September, 2009: Gary Amaro, San Francisco, CA; “4ojos“, Ribafrecha, Spain; Guillaume Bonamy, Natsumi Tsuchida, Tokyo, Japan.)

Urban Sketchers is devoted to drawing on location in urban environments, and it has come a long way in the year since it was established by Gabi Campanario, an illustrator and journalist based in Seattle, Washington.

The blog now boasts a long list of invited corespondents from numerous cities and countries around the world, with a delightfully broad range of styles, mediums and approaches. Their first anniversary press release has the stats.

With its wide base of contributors, Urban Sketchers is updated often, making frequent visits rewarding. There is always something new and interesting.

You can browse by artist, listed in the left sidebar by name and home base location, or by subject tags on the right sidebar.

If you want to just flip through the entries in reverse chronological order, look for the small “Older Posts” link at the bottom of the center column.

Going forward, the group plans to formalize as a nonprofit organization, raise money for scholarships and grants, publish a book and organize international meetings; all in support of promoting location drawing, and enabling others to “See the world, one drawing at a time”.

(Images above: Matt Jones, Thomas Thorspecken, Benedetta Dossi, Gérard Michel, Stephen Gardner)

He indicates that he drew extensively as a child, but lost interest in drawing for a time and only returned to the practice a few years ago. He began to carry a pen and sketchbook and draw his surroundings, and has since added watercolor to his sketching materials.

Belair says he considers drawing his form of meditation, an escape from the stresses of working, and devotes time to it whenever he can.

His watercolor sketches of city scenes, particularly those of row homes or industrial and commercial structures, are wonderful in their contrasts of texture light and shadow.

He takes on complex scenes as a challenge, working immediately in ink and watercolor, without preliminary pencil sketches, on subjects like metal bridgework and elevated train structures.

He now frequently works in 5×8 watercolor sketchbooks and has posted a Flicker stream of his sketches.

Belair also contributes to Urban Sketchers, which is where I encountered his work.

Zbukvic’s atmospheric, emotionally resonant watercolors have a wonderful characteristic of being simultaneously loose and crisp — loose in that he suggests rather than elaborating, and crisp because of his masterful command of edges. He has a highly refined sense of when to define a sharp edge, and when to let an edge disappear into mists of hazy textured color.

His landscapes and cityscapes, often of locations in Europe, are highly evocative of the place, without being rigid in their portrayal of details and specifics. He portrays the kind of visual image we might call up as a memory of a fondly remembered place, both hazy and sharp.

Many of Zbukvic’s paintings are done on location. His palette is often muted and understated, though sometimes punctuated with higher chroma passages. Zbukvick enjoys dwelling on misty atmosphere, rain and overcast shadow, as well as the haze of bright sunlight.

Zbukvick gives highly regarded workshops. This year’s schedule includes dates in France, Spain and Canada as well as Australia. His DVD, Watercolor Impressions, includes scenes from previous workshops; you can see a short excerpt by clicking on the second image on the workshop page.

I also came across this video clip from Inside Joseph Zbukvic’s Sketchbook, related I think to a June, 2008 cover story on him in Watercolor Artist magazine.

In addition to his workshops, Zbukvick also teaches at Charles Sturt University and the Mitchell School of Arts.

Some of the galleries that represent his work have additional galleries in which you will find images not on his site (and/or larger reproductions, particularly the first two listed).

[Suggestion courtesy of Jeroen Coert]

Addendum: Adebanji Alade wrote to let us know about Zbukvic’s book Mastering Atmosphere & Mood in Watercolor: The Critical Ingredients That Turn Paintings into Art. Unfortunately, it is out of print and resellers seem to be asking high prices for it at the moment. Perhaps something to keep an eye out for.

Having apparently put aside traditional drawing for a while, Adolfsson returned to regular drawing when he started his sketchblog Mattias Inks, in 2006. Since then he has populated it with a wonderful and fast growing assortment of whimsical drawings on a variety of subjects and themes.

Usually drawing with a Namiki Falcon fountain pen and Noodler’s American Eel ink, and often in the pages of Moleskine sketchbooks, Adolfsson draws charmingly offbeat characters, animals, robots and architectural fantasies, as well as more straightforward sketches of his surroundings.

He often fills out his drawings with watercolor to varying degrees, usually with light touches that leave the feeling of the ink drawing intact.

For someone who has only been drawing recently for a couple of years, Adolfsson has been prolific; his Flickr galleries go on for dozens of pages.

He also has a web site with galleries of his drawings, doodles and sketch books; as well as an Etsy shop in which he sells original art.

One of his excursions into fanciful imaginings is his interpretation of “Star Wars, the baroque version” (expanded page version here), with a curly-wig helmeted Darth Vader, blunderbuss and balloon-pak equipped Bobba Fett, and Han Solo being harassed by the puritan police at the base of his eminently baroque Millennium Falcon (top, left).

I particularly enjoy Adolfsson’s architectural imaginings, like his houseflowers (top, right) and ornate, leaning, single-room-stacked “skyscraper prototypes” (left).

Mattias Adolfsson is giving a workshop in drawing this July 29-31 (more information here, in Swedish); and is currently working on a children’s book titled Till mitt barnbarn.

[Via 'skine art]

I then looked him up and found his sketch blog, SKETCHtaro, which has a wonderful array of his sketches, largely in watercolor or pen and ink, of both landscapes and figures.

His figure drawings have an engaging looseness, within the framework of accomplished draftsmanship. He has an unusual approach, sometimes drawing the figure in line, but multi-colored watercolor line, applied in brushstrokes that vary in weight and translucency as well as color .

His black ink drawings are frequently concerned with shadow and the play of light across architectural details.

Holmes is professionally a gaming concept artist and art director. According to his short bio on ConceptArt.org, he is currently the Studio Art Director at Ensemble Studios, and and has worked on gaming titles like Neverwinter Nights and The Lord of the Rings Online. MobyGames lists some of his other credits here. [Correction: Holmes has moved on from Ensemble and is now doing concept art for the film industry. See this post's comments.]

Since then, hundreds of additional sketches have been added; and the blog’s layout has been updated, with a wider format and better organizatation (though I still wish they would somehow limit the Flickr slideshow widget at page bottom to a single page and make the “Older Posts” link bigger).

Urban Sketchers has kept the tagline of “See the world one drawing at a time”, and continues to a be a source of constant delight, filled with location sketches in a variety of media, size, approach and degree of finish.

There is an increasing list of contributors, as well as an impressively extended list of represented cities and countries from around the world; though much of the content is still provided by a core of frequent contributors, including founder Gabi Campanario. (Sadly, Gabi’s recent sketches have been chronicling the impending demise of the Seattle Post-Intelligencer, a terrific newspaper; image above, top right)

Many of the images are linked to larger versions, and most of the contributors have their own blogs and web sites to which you can go for even more sketches and finished work. Some of them are profiled on the Meet the Correspondents page, but others are worth tracking down through links at the bottom of their posts, or looking up via Google.

Updates are frequent and you can check in with Urban Sketchers any day and find fresh new sketches to enjoy and take inspiration from. In fact, it’s sometimes hard to check in frequently enough to keep up with the new posts.

(Images above, left to right: Pete Scully, Gabi Campanario, Tommy Kane, Tis Boon Sim, Roger O’Reilly, Gerard Michel, Stephen Gardner, Maarten Ruijters)

Tuma painted his series of presidential portraits in ivory black watercolor on bristol board. If you go to his web site and choose “Other Things” at the bottom of the portfolio pages (easy to miss if you don’t know to look for it) you can flip through the thumbnails to the page about the series.

Tuma also does a variety of illustration for the Tribune, from info-graphics to cartooning, and also does freelance work in addition. His online portfolio is divided between watercolor, pencil and digital. (He also apparently collects toys, you can see a QTVR view of his toy-filled work station at the tribune here.)

It’s interesting to see the range of presidents’ faces as portrayed by a single artist. Some of them are of course more interesting as subjects for drawings than others. I’ve selected a couple of the images above for that reason and a couple for relevance to current events.

I enjoy location sketches done in an urban environment, particularly travel sketches, and the blog has much of that feeling, even though the contributors are often sketching in their home city.

I came across Urban Sketchers by way of Katherine Tyrrell, who is one of the correspondents, and contributes from London (see my post on Katherine Tyrrell).

In addition to Tyrell, contributing artists that I have featured previously on Lines and Colors include Lok Jansen and Laura Frankstone.

Other contributors are from various cities in France, Spain, Italy, Denmark, Norway, Germany, Russia and other locations in Europe; a number of cities in the US, including New York, San Francisco, and Seattle, as well as cities in Canada and other parts of the globe, like Tokyo, Bangkok, Tal-Aviv and Sao Paulo. You can see the contributors listed by location in the side bar.

There is also a Meet the Correspondents page, on which some of the contributors give short profiles of themselves, their subject cities and their sketching practices.

There is a variety of approaches in medium, drawing style and subject matter, though some common themes, like the frequent use of the ubiquitous and oh-so-convenient Moleskine sketchbooks, and a consistently high level of quality.

The blog is an extension of the Urban Sketchers Flickr group started in 2007 by Seattle illustrator/journalist Gabi Campanario.

The subtitle of the blog is “See the world one drawing at a time”, and though the blog has only been up since October, with an “official” launch on November 1st, there is already a world of images posted from the multiple contributors.

Next to traveling and sketching yourself, what better way to see the world than through the eyes and pens of artists?

(Images above, left to right, top to bottom: Alessandro Andreuccetti, Rob Carey, Gabi Campanario, Lok Janssen, Laura Genz, Matthew Cenich)

His blog contains an interesting range of images, from color and black and white concept art from the above mentioned films to oil paintings of highway overpasses, to figure sketches in oil and location sketches in gouache.

The most recent entries are a series of monochromatic watercolor or ink wash studies of freeway ramps and overpasses, in which he seems fascinated with the geometric arrangement of the structures and the negative shapes that they carve out of the space they surround. The series includes some finished oil paintings of highway structures and airport terminals with a brusque finish to the paint surface.

Farther back in the blog posts we come across some of his film concept work, also often monochromatic, usually in wash or graphite. These are frequently highly detailed, with a great feeling of texture and dramatic lighting. Some of my favorites are his moody and atmospheric drawings of Mayan temples for El Dorado (image above, top).

As you continue down the page, you’ll encounter work from other films and then some of his oil figure studies. Don’t miss the fresh little gouache sketches toward the bottom of the page (above, bottom).

[Link via John Nevarez (see my previous post on John Nevarez)]