Every true artist has been inspired more by the beauty of lines and color and the relationships between them than by the concrete subject of the picture.
- Piet Mondrian
Colour helps to express light, not the physical phenomenon, but the only light that really exists, that in the artist's brain.
- Henri Matisse
 

 

Saturday, August 26, 2006

John White Alexander

Posted by Charley Parker at 10:27 am

John White AlexanderJohn White Alexander was an American illustrator and painter in the Victorian era. He studied in Munich and for a while joined a colony of painters Frank Duveneck had established in Bavaria. On the advice of James McNeill Whistler, he continued his studies in Florence, Amsterdam and Paris before returning to the U.S. in 1881.

I’ve been hard pressed to find many examples of his illustration on the web, but his portrait paintings are represented in several museum art collections.

In his later career, he devoted himself to portraiture and counted Oliver Wendell Holmes, R.A.L. Stevenson and Walt Whitman among his formal portrait subjects, and did a large charcoal portrait of Whistler.

The image shown here is of Isabella and the Pot of Basil, a literary theme he shared with some Pre-Raphaelite painters. It’s interesting to compare his elegant theatrical staging of the subject with William Holman Hunt’s luminous and richly detailed take on the same scene.

Alexander’s portrait paintings are most often full-length or 3/4 portraits of women, dressed in Victorian finery and occasionally languorously draped across a divan or couch with skirts flowing out in waves of shimmering fabric. You’ll also find examples of portraits of younger women or young girls, and he’ll occasionally sneak in a New Hampshire landscape.

Like Sargent, who immediately comes to mind when looking at Alexander’s portraits, Alexander has an open painterly style, at times with broad visible brushstrokes that coalesce into solid realism when viewed from the painting’s intended distance. Also like Sargent, Alexander has a great command of the texture of fabrics, hair and skin with a surprising economy of rendering.

 
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Posted in: Gallery and Museum Art   |  

4 comments for John White Alexander »

RSS feed for comments on this post.

  1. Comment by FabioQ
    Saturday, August 26, 2006 @ 2:03 pm

    great blog, great work!
    they alem to develop art, taste of observes it in more diversar platforms, its blog in them presents an excellent fan of artists and works, congratulations!

    it forgives me the errors, i am Brazilian and it is using a translator.

  2. Comment by ParisBreakfasts
    Monday, August 28, 2006 @ 9:53 am

    MAxwell Parrish certainly was familiar with this artist, looks like. Beautiful work. THANKS

  3. Comment by Charley Parker
    Wednesday, August 30, 2006 @ 8:21 am

    FabioQ,

    Thanks for your comments.

    I hope the translation feature on the blog has been useful.

  4. Comment by Charley Parker
    Wednesday, August 30, 2006 @ 8:23 am

    ParisBreakfasts,

    Yes, I thnk Parrish was influenced by many of the Victorian painters.

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